Oil Paintings
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William Blake 1757-1827
British
William Blake Galleries
William Blake started writing poems as a boy, many of them inspired by religious visions. Apprenticed to an engraver as a young man, Blake learned skills that allowed him to put his poems and drawings together on etchings, and he began to publish his own work. Throughout his life he survived on small commissions, never gaining much attention from the London art world. His paintings were rejected by the public (he was called a lunatic for his imaginative work), but he had a profound influence on Romanticism as a literary movement.
William Blake A black living hung collected its ribs mk169
1792 line engraving to a design 26.7x20.3cm
Painting ID:: 45873
X
William Blake Death on a Pale Horse mk178
around 1800 India ink gray Lasur and watercolor on paper 39.3x31.1cm
Painting ID:: 45944
X
William Blake The Horse, out of William Hayleys Ballads mk178
around 1805/06
Tempera with black India ink on copper sting
disk 10.6x6.4cm
Painting ID:: 48669
X
William Blake The Body of Abel Found by Adam and Eve mk191
about 1825
tempera on the board
32x43cm
Painting ID:: 52711
X
William Blake The Circle of the Life of Man mk223
Oil on canvas
Painting ID:: 53639
X
William Blake No title mk234
1794
Painting ID:: 53883
X
William Blake Job and his dottrar mk234
1799-1800
27x38cm
Painting ID:: 56119
X
William Blake sir james macdonald and sir alexander macdonald mk247
1749,oil on canvas,69.5x58 in,176.5x147.5 cm,scottish national portait gallery,edinburgh,uk
Painting ID:: 62538
X
William Blake Hecate or the Three Fates 1795 Pen and ink with watercolour, 430 580 mm Tate Gallery, London Recently the painting is called The Night of Enitharmon's Joy. The many titles show the many levels of meaning, or the impenetrable mystery of Blake's work. Author: BLAKE, William Title: Hecate or the Three Fates Form: graphics , 1751-1800 , English , mythological
Painting ID:: 62539
X
William Blake Los Entering the Grave 1804-20 Etching with pen, watercolour and gold, 220 x 160 mm Yale Center for British Art, New Haven This is the frontispiece of the illustrated poem Jerusalem. In the coloured version of the frontispiece to his Jerusalem, Blake placed the thorns of the Passion beneath his own personification, Los, as he steps bravely through a door into a dark, grave-like void. This is not an end but the beginning: Los has embarked on an adventure, one hand raised in greeting and the other holding a blazing sun to illuminate the truths to be revealed in the following pages. Author: BLAKE, William Title: Los Entering the Grave Form: graphics , 1751-1800 , English , mythological
Painting ID:: 94438
X
William Blake Oberon, Titania and Puck with Fairies Dancing cjr
Painting ID:: 94439
X
William Blake The Night of Enitharmon's Joy 44 x 58 cm (17.3 x 22.8 in)
1795(1795)
cjr
Painting ID:: 94440
X
William Blake The cottage in Felpham where Blake lived from 1800 till 1803. cjr
Painting ID:: 94441
X
William Blake Der grobe Rote Drache und die mit der Sonne bekleidete Frau 1805-1810
40 x 32,5 cm
cjr
Painting ID:: 94442
X
William Blake Dante_Hell_XII cjr
Painting ID:: 94443
X
William Blake The Lovers' Whirlwind, Francesca da Rimini and Paolo Malatesta 374 x 530 mm
1824 - 1827
cjr
Painting ID:: 94444
X
William Blake Blake's Ancient of Days. 23.3 x 16.8 cm (9 1/8 x 6 7/8 in.)
1794(1794)
cjr
1757-1827
British
William Blake Galleries
William Blake started writing poems as a boy, many of them inspired by religious visions. Apprenticed to an engraver as a young man, Blake learned skills that allowed him to put his poems and drawings together on etchings, and he began to publish his own work. Throughout his life he survived on small commissions, never gaining much attention from the London art world. His paintings were rejected by the public (he was called a lunatic for his imaginative work), but he had a profound influence on Romanticism as a literary movement.
